Search results for " painting"

showing 10 items of 163 documents

Gianfrancesco Maineri, Paolo da San Leocadio i la gènesi d?un model de Crist portacreu

2020

[CA] El present article es centra en la vinculació entre els diversos exemplars de Crist portacreu de Gianfrancesco Maineri i els homònims de Paolo da San Leocadio. A través de diverses comparacions, tractarà d¿explicar-se la gènesi d¿aquest model, aportant, a més, dades que permetran una millor classificació dels exemplars leocadians. Finalment, es realitzen una sèrie de reflexions entorn de l¿hipotètic retorn de San Leocadio a Itàlia (1485-1489) i a la seua possible vinculació amb Maineri.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASPintura devocionalPintura del Renaixementa series of reflections are made around the hypothetical return of San Leocadio to Italy (1485-1489) and his possible connection with Maineri. 97 113Devotional paintingPaolo da San Leocadio i la gènesi d?un model de Crist portacreu Herrero Cortellalso providing data that will allow a better classification of Leocadian specimens. Finally0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707979 Gianfrancesco MaineriGianfrancesco MaineriMiguel Angel This paper focuses on the link between the various copies of Christ carrying the Cross by Gianfrancesco Maineri and the homonyms of Paolo da San Leocadio. Through various comparisons:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Paolo da San LeocadioRenaissance paintingHISTORIA DEL ARTEit will try to explain the genesis of said model
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Riflessioni sull’iconografia funeraria lilibetana nell’età di Cicerone

2021

Twenty-four, and possibly twenty-five painted stelae and aediculae were found, in different times, in the area of the necropolis of Lilybaeum (1903, 1974-1984), and further North, nearer to the ancient sea-shore (1895); most recently, two new entries enhanced the Museo Lilibeo (2009), beside two elements from decorated epitymbia. Despite previous scholarly opinions spread these artifacts over three centuries, as a whole, they can be assigned approximately to Cicero’s time. Some cross-cutting features, as a matter of fact, connect the stelae and the “Salinas” aediculae, and indicate that both date between the late 2nd and the late 1st century BC. Nevertheless, they constitue two neatly diffe…

Lilybaeum funerary painting iconography funerary beliefshellenistic-roman periodSettore L-ANT/07 - Archeologia Classica
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Genetic aspects in hominid evolution

2000

Genomic comparison between apes and humans have made important contributions to our understanding of human evolution. The modern period of karyological comparisons between humans and other primates began about forty years ago and has been marked by a series of technical revolutions. In the 1960s pioneering genetic and chromosomal comparisons of human and great apes suggested, as had Darwin a century before, that our closest relative were the African apes. Early immunological analyses placed human/apes divergence at about five million year ago. Acceptance of man’s late divergence from the African apes was delayed by the scarcity of paleontological evidence coupled with a fallacious Asiatic o…

Genome evolutionOld WorldbiologyHuman evolutionPhylogeneticsAnthropologyHylobatesbiology.animalZoologyKaryotypePrimateChromosome paintingbiology.organism_classificationHuman Evolution
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Proceeding Book of 12th European Symposium on Religious art, Restoration & Conservation

2022

Fundamental contribution to filling out the condition reports of the work of arts involved in temporary exhibitions is provided by non-invasive investigation techniques. Investigation, carried out before and after the movement, allow to collect objective data to monitoring the surface or structural alterations and defining the state of conservation, representing an important moment of deepening of knowledge. Generally, these aspects often are left to photographic documentation and observations by conservators and curators. An example of good practice is represented by the case of the Saint Gregory Polyptych (Antonello da Messina, 1473) belonging to the Regional Museum of Messina (Italy). Th…

wooden paintings non-invasive monitoring temporary exhibition Antonello da Messina.Settore CHIM/02 - Chimica Fisica
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"Ut pictura poiesis": text i imatge, mimesi i realitat quant a «Tirant lo Blanch»

2007

The relationship between literature and reality in the Middle Ages can be considered from several dimensions. One of the most important cultural elements of the medieval period is the visual representation of reality found it literary texts, not only through the presence of miniatures in the manuscripts, but especially through the description of realia in the same text. The encyclopedic tradition helps to intertwine this close relationship between the outer representativeness and the inwardness of the text, a new interpretation of the Horacian’s ut pictura poiesis. The «Tirant lo Blanch» is a fictional text full of iconic references to contemporary reality, which in this study are made clea…

lcsh:Language and Literaturelcsh:Philology. LinguisticsPaintingUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistory of Art; Painting; Iconography; Literature and SocietyHistory of Artlcsh:P1-1091LingüísticaIconographyFilologíasLiterature and Society:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]lcsh:PCaplletra. Revista Internacional de Filologia
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La Parroquia de Nuestra Señora de la Misericordia de Campanar: proceso constructivo y decorativo

2008

The parish of Our Lady of Mercy in Campanar presents an extensive constructive and decorative process from the 16th century. This article tries to improve the knowledge of its different historical phases and contributes with unpublished documentation as the contract for its bells tower with the architect Josep Mínguez La parroquia de Nuestra Señora de la Misericordia de Campanar presenta un dilatado proceso constructivo y decorativo desde el siglo XVI a la actualidad. Este artículo intenta profundizar en sus diferentes fases históricas y aporta documentación inédita como las capitulaciones de su campanario con el arquitecto Josep Mínguez

UNESCO::HISTORIA::Historia por especialidades::Historia del arteIconografía religiosaTorres-campanarioDocumentos inéditosEsglésia de Nostra Senyora de la Misericòrdia de Campanar (València País Valencià)ArquitectosIglesiasArquitectura barrocaOrnamentación pictóricaBaroqueArchitectureProceso constructivoArchitecture Baroque--Spain--ValenciaArquitectura religiosaWall paintingArquitectura barroca--País Valencià--ValènciaPintura al frescoCampanarBarrocoPintura barroca:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]Arquitectura
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Study on the effects of chemical cleaning on pinaceae resin-based varnishes from panel and canvas paintings using pyrolysis-gas chromatography/mass s…

2006

Abstract Cleaning of varnish coatings is one of the most critical steps in the restoration treatment of paintings and characterization of physical and chemical processes involved in this practical procedure has attracted interest of scientists in the field of conservation. Evaluation of chemical cleaning methods based on the application of organic solvents and detergents on Pinaceae resin-based varnishes from panel and canvas paintings has been successfully carried out using pyrolysis-gas chromatograpy/mass spectrometry (Py-GC/MS). The proposed method includes the on-line derivatization of the diterpenoid resin using hexamethyldisilazane (HMDS). Analyses performed on a series of model varni…

Cleaning agentPaintingbiologyChemistryVarnishbiology.organism_classificationChemical cleaningAnalytical ChemistryPyrolysis–gas chromatography–mass spectrometryFuel TechnologyPinaceaevisual_artvisual_art.visual_art_mediumOrganic chemistryCanvas paintingPyrolysisJournal of Analytical and Applied Pyrolysis
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Alexander Auf der Heyde, Per l'«avvenire dell'arte in Italia»: Pietro Selvatico e l'estetica applicata alle arti del disegno nel secolo XIX, Pisa, Pa…

2013

Attraverso le vicende di un protagonista autorevole e controverso delle arti figurative – il marchese padovano Pietro Selvatico Estense (1803-80) –, il volume narra l'articolarsi di un discorso artistico nazionale fortemente attento alla contemporanea produzione francese e tedesca, ma sullo sfondo specifico di una prospettiva pedagogica che accomuna le élites moderate d’epoca risorgimentale. This monograph investigates Pietro Selvatico Estense's (1803-1880) art writings and his commitment to the Italian Nineteenth-Century system of the Arts. Among the priorities of this study are Selvatico's contacts to the german-speaking countries (Bavaria, Prussia, Saxony and Austria) and to France, his …

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroArtist's educationCultural heritage studiesAestheticsRisorgimentoArt historyVeniceItalian Risorgimento historyPaduaHistory paintingArchitectureArt academiesSettore L-ART/03 - Storia Dell'Arte ContemporaneaSettore ICAR/18 - Storia Dell'ArchitetturaPietro Selvatico Estense
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La celda del Padre Salamanca en el Convento de la Merced de Cuzco. Guía conceptual de la vida religiosa mercedaria en el altiplano peruano del seteci…

2009

En el año 1650 un terremoto destruye el convento de la Merced de Cuzco, por lo que ha de ser reconstruido de nuevo. Con este motivo se lleva a cabo en el claustro bajo una celda, apodada del Padre Salamanca, cuyos muros y techos están totalmente recubiertos con pinturas al temple, que componen un programa iconográfico unitario, a pesar de que se observan varios estilos y la participación de al menos dos o tres artistas. Este programa sigue los modelos de la Iglesia Contrarreformista y las escenas se estructuran en las cuatro salas de la celda: en el zaguán las virtudes que debe practicar el monje, en el vestíbulo temas iconográficos mercedarios, en el dormitorio la Infancia de Cristo, en la…

Cuzco Emblemática Pintura barroca Convento mercedario.Cuzco Emblematics Baroque Painting Mercedarian Convent.
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Gli affreschi e le tele

2023

The pictorial decoration of the church of Santa Maria La Porta in Geraci Siculo. Critical historical analysis of the canvases and frescoes. Iconographic readings, stylistic analysis and attributions

18th century painting Oil on canvas FrescoesSettore L-ART/02 - Storia Dell'Arte Moderna
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